The transatlantic arc

Most family histories in the New World run the same shape: a family here, a crossing that brought them, and an origin they left behind. We trace that journey the way we build everything else — from public, downloadable records, every claim sourced and every uncertainty named. Eight stops, in order:

Ford Madox Brown's 1855 painting 'The Last of England': an emigrant couple on a crowded ship's deck, the white cliffs of Dover behind them.
Ford Madox Brown, The Last of England (1855) — a couple emigrating from England, the chalk cliffs receding behind them. It renders the emigrant experience of the age, not any identified family. Ford Madox Brown, 1855 · Birmingham Museums Trust · Wikimedia Commons. Public domain.

Act I · America — the family, here

Act II · The crossing

Act III · The old country

Act IV · Can the records be open?

The honest caveats travel with every page: a surname is not a lineage, a manifest lists only those who came that way, and a 19th-century genealogy is a finding aid, not proof of descent.